The raison d’être of Synchro Arts’ VocAlign is simple: to match timing between vocal recordings. You can read SOS's review of VocAlign Ultra here.After a major overhaul, is Synchro Arts’ VocAlign still an essential part of the vocal producer’s toolkit?
After that date, it will revert to the still very affordable full price of £130.80 ($149). Buy before October 25 and you can get it at the special introductory price of £87.60 including VAT (US: $99). VocAlign Project 5 is available now for Mac OS and Windows, and is a free upgrade to anyone who registered VocAlign Project 3 after March 16th this year. The plug-in window is now fully resizable and there are numerous other enhancements including a better waveform display and alignment presets. VocAlign Project 5 also introduces a variable Tightness control, allowing you to set the balance between super-accurate timing at one end of the scale and a more relaxed, natural feel at the other. This is potentially invaluable in situations where, for example, timing needs to be matched across takes that have different start and end points. Replacing the established VocAlign Project 3, it incorporates many new features, most notably SmartAlign: a clever time-saving tool that can analyse vocal recordings to detect which sections would make a good match. The new VocAlign Project 5 is more streamlined still, and is also the most affordable way to access this cutting-edge technology. VocAlign Ultra was rewritten using algorithms from Synchro Arts' more open-ended Revoice Pro, aiming to offer the same advanced processing quality in a more streamlined package. VocAlign Ultra, released at the end of last year, represented the most radical overhaul in the program's 25-year history. Whether you're conforming ADR to an on-set dialogue recording or tightening the timing of massed backing vocals, VocAlign can be a huge time-saver. Synchro Arts' VocAlign is an industry standard tool throughout the world of music production and post-production, allowing timing and pitch variations to be matched between two or more vocal takes.
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